Wiwo julọ Odun 1986 - 292

"The lateral movement of the title "Along the Road to Altamira" signals that we are about to embark on a journey through Spain. Our final destination...

Body Male solo of actions, shot in outdoors, with electroacoustic music. Nudity and light become substance, in the same way as sky, water and...

Roofs of tin and tile, passing by trains and cars, walls of modern buildings – surfaces of solid objects and those of soft, such as water...

'How many famous Black women can you name who aren't either sportswomen or entertainers?' Mostly the folks of Liverpool draw a blank—making the...

Documentary about a sculpture by the Belgian Artist Olivier Strebelle.

Collage of 30s original black and white films made by the filmmaker's father, and new color films. The intention of the film is to share through the...

A man goes ride to ride at a fair following a woman with a red balloon.

In As if Memories Could Deceive Me, a piano keyboard, symbol of German bourgeois tradition, is the metaphorical ground upon which Odenbach devises a...

The starting point of the work is the idea of ​​making the structure of the image audible via the simultaneously exposed light tone, of...

People from the eighties make excuses for not wearing their seatbelts.

SONTAG PLATZ (1982) is a word to Paul Klee. The first film upon which I painted. The texture here is smoother and the forms closed more than in...

Celebración del Matrimonio begins with an historical overview of Hispanic marriage customs, noting how they mirror customs in Spain, Mexico,...

A white swan prepares for flight, flexing and caressing, extending and folding its wings repeatedly as if bracing for a long journey. The close-up...

Constructed around two poems by Gerrit Kouwenaar, who reads his own verse off- screen. The film focuses on a man and woman packing, going away,...

Çaku has lost his parents during a bombardment. He gets acquainted with a partisan during the war. Caku, together with a friend of his, who...